Exploring Photographic Style
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Public speaking topic presented by Jeffrey Sward | |||||
A slide show with matching commentary. | |||||
The major stylistic and aesthetic
approaches to still photography are identified
and described. Examples of each style are provided.
A supplementary presentation, "Selected
Examples of Photographic Style," is also
available. The intended audience includes active
photographers at any level, and anyone interested
in artistic choices or aesthetics.
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Outline | |||||
The Gospel According to Eastman Kodak | |||||
Ansel Adams: The Ultimate Tourist, with the Zone System | |||||
Technique via Lejaren a Hiller | |||||
Photojournalism and the Photo Essay | |||||
W. Eugene Smith Henri Cartier-Bresson Margaret Bourke-White |
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The Revolution in Documentary Photography: Robert Frank | |||||
The Never-Fail Image via Ron Bayhan | |||||
Characteristics of Creative People via Bruce Holly | |||||
Surrealism | |||||
John Clarence Laughlin Man Ray Jerry Uelsmann |
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Collage and Multi-Media | |||||
Peter Beard Robert Heinecken Robert Rauschenberg |
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Computer Enhanced Images | |||||
Words and Pictures | |||||
Sheila Pinkel Lorna Simpson |
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Political and Social Commentary | |||||
Cindy Sherman Laurie Simmons |
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Staged Photographs | |||||
Sandy Skoglund Joel-Peter Witkin |
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Urban and Suburban Landscapes | |||||
Joe Deal William Eggleston Bill Owens |
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Domestic Scenes | |||||
Mary Frey Nan Goldin Nicholas Nixon |
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Different Styles, Same Subject: Automobiles, Portraits, Babies | |||||
Style and the Individual Photographer | |||||
Click here to view outline of selected examples of photographic style program. | |||||
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All written content of this web site is solely the editorial opinion of Jeffrey Sward. All images, graphics, and written content of this web site, including the html files, are creative products covered by copyright law. All content copyright Jeffrey Sward 1975-2019. All rights reserved. No portion of this web site or its constituent elements may be reproduced in any form, by any means, without prior written permission. So there. |
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